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The Redbridge Book Co.
A Fictitious Bookstore in Delaware County
Membership(s): ABA
The Shakespeare Head Edition of Fielding’s Novels
$1,750.00
Fielding, Henry
Oxford. Basil Blackwell, publishers to the Shakespeare Head Press, 1926. Â Complete in ten volumes.
Limited edition 1030 sets of which 1000 were for sale. Â Beautifully bound by Bayntun binders in half morocco. Â Top edge gilt; spine with raised bands, compartments lettered and decorated in gilt. Â A fine set.
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Printer’s Copy Signed by Baskin
A Checklist of the Publications of Thomas Bird Mosher of Portland Maine: MDCCCXCI-MDCCCCXXIII
$275.00Northampton, MA: The Gehenna Press, 1966. Limited edition, one of 500 Copies, printed on Fabriano Paper in Monotype Van Dijck. Illustrated with 19 Mounted Letter Press Facsimiles of Title pages in Red and Black on Paper closely Simulating those used by Mosher. This is the printer’s copy, inscribed by Baskin and presented to Stanley Clifford “with the affection of” Leonard Baskin, dated 1967.  Clifford started as a hand leather bookbinder at Bennett Book Studio in Manhattan. He came to be respected as one of the finest craftsmen practicing this trade, a reputation that allowed work to follow him to Deer Isle, ME where he and fellow islander Leonard Baskin became close friends, attracted by a mutual interest in the book arts. Ironically, an unbound copy in 20 signatures. Some staining to rear page and signature spines.
Offered for Sale by: The Accidental Bookseller -
One of 15 Copies Bound in Full Morocco
Innocence in Extremis
$500.00New York: The Grenfell Press, 1985.  From the colophon: “118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien.” Copy XIII of the Roman numeral edition. T. L. Solien’s work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world.  Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art;  Minneapolis Institute of Art; Tate Gallery, London;  National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher’s plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case’s integrity.
Offered for Sale by: The Accidental Bookseller -
One of 25 Copies, Red Ozier Press Highspot
Paul’s Blues
$1,200.00New York: Red Ozier Press, 1984.  Large 4to quarter cloth.  Limited to 115 copies (90 in wrappers) signed by composer and artist, this is one of 25 copies bound in Claire Maziarczyk’s wastepapers over boards.  Very slight indentation lower front board, still easily a fine, unread and bright copy. In an essay on Red Ozier, press bibliographer Michael Peich highlights this title: “Red Ozier published dozens of titles that are distinguished examples of the physical book. One book, Paul’s Blues, deserves mention for its combination of solid typography and interesting art. The text reproduces songs that the composer Ned Rorem wrote based on lyrics composed by Paul Goodman. In the introduction Rorem discusses his association with Goodman and how the songs were written in 1947. Following the introduction is a reproduction of Rorem’s fair-hand manuscripts for each of the three songs, the printed lyrics of the songs, the composer’s journal entries from around the date of Goodman’s death on 3 August 1972, and an afterword by Rorem. The manuscript is a complex mixture that is both solemn (Rorem’s tribute to his friend) and entertaining (the songs themselves). [Press founders] Ken and Steve solved the textual complexity by choosing a straightforward, elegant typographic presentation. The only adornment in the book is Rivers’ energetic title page which addresses the creative collaboration between poet and composer; in an almost excited way it prepares the reader for the text that follows. The finished product is a masterful job of keeping all the elements of the text in perfect balance and harmony. It is a high point of production from the press because it combines, with almost disarming ease, classical typography with a new technology (the title page was reproduced by color Xerox and transferred to the sheets).”
Offered for Sale by: The Redbridge Book Co. -
Limited Edition 75 Copies Signed by Artist
Prologue to Ask the Dust
$650.00Magnolia Editions, Okeanos Press: San Francisco, 1990.  John Fante’s gritty, tersely lyrical novel Ask the Dust has been praised by critics and writers for more than 60 years; Charles Bukowski once wrote that “Fante was my god.” This previously unpublished manuscript, found by Joyce Fante five decades after its composition, was written by Fante as a condensed preview of the novel for his publisher. Issued by the Black Sparrow Press a year later, this is the scarce limited edition, one of only 75 copies (110 total) accompanied by a series of etchings excised in hardground, aquatint, and drypoint by John Register and is signed by the artist. A fine copy, slipcase with small area of damp staining (book unaffected).  A lovely production.
Offered for Sale by: The Redbridge Book Co.