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The Redbridge Book Co.
A Fictitious Bookstore in Delaware County
Membership(s): ABA
Sex and Landscapes
$500.00
Newton, Helmut
Mary Boone de Pury & Luxembourg Catalog 2001.
Limited edition 486 / 500 copies signed by Newton.
A fine copy in wrappers.
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Limited Edition 75 Copies Signed by Artist
Prologue to Ask the Dust
$650.00Magnolia Editions, Okeanos Press: San Francisco, 1990.  John Fante’s gritty, tersely lyrical novel Ask the Dust has been praised by critics and writers for more than 60 years; Charles Bukowski once wrote that “Fante was my god.” This previously unpublished manuscript, found by Joyce Fante five decades after its composition, was written by Fante as a condensed preview of the novel for his publisher. Issued by the Black Sparrow Press a year later, this is the scarce limited edition, one of only 75 copies (110 total) accompanied by a series of etchings excised in hardground, aquatint, and drypoint by John Register and is signed by the artist. A fine copy, slipcase with small area of damp staining (book unaffected).  A lovely production.
Offered for Sale by: The Redbridge Book Co. -
Classic Analysis of U.S. History, Signed by Author
The American Political Tradition and the Men Who Made It
$900.00New York: Knopf, 1948. First Edition. Inscribed to Bill Smith and signed by Hofstadter.  While not definitively established, the recipient could be fellow historian William E(rnest) Smith, whose work The Francis Preston Blair Family in Politics is cited by Hostadter as a source and influence on his interpretations on anti-bank views (pages 355-56). Some pencil annotations sprinkled sporadically throughout the book.  A very good copy married to later printing dust wrapper.
Offered for Sale by: Founding Lines -
One of 15 Copies Bound in Full Morocco
Innocence in Extremis
$500.00New York: The Grenfell Press, 1985.  From the colophon: “118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien.” Copy XIII of the Roman numeral edition. T. L. Solien’s work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world.  Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art;  Minneapolis Institute of Art; Tate Gallery, London;  National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher’s plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case’s integrity.
Offered for Sale by: The Accidental Bookseller -
Signed by First Southern Pulitzer Winning Novelist
Black April
$800.00Bobbs Merrill: Indianapolis, 1927.  First edition, first issue with ‘ducks quacked’ on page 17 (Ahearn Collected Books).  “An extraordinary novel of Negro life on an isolated plantation” signed by the author on front free endpaper.  Black April was “accepted by the critics as being one of the best books ever written about the southern negro” (The Sunday Oregonian). A very good copy, gilt on spine and front cover dulled as usual in very good, first issue dust wrapper without Crawford blurb, price intact, extremities of spine a little chipped, one small edge tear to rear. Peterkin went on to win the Pulitzer Prize in 1929, the first southern novelist to receive that honor.  A household name for the better part of three decades, “Peterkin’s accomplishment lay in her upending the traditional plantation novel by replacing its gross stereotypes with rural black southerners of complexity, stamina, integrity, and courage, while valorizing the African spiritual inheritance as a transcendent force of cultural regeneration. Because no Uncle Toms, Aunt Jemimas or Colonels clad in white linen inhabited Peterkin’s fiction (indeed, white characters made rare appearances), and because she dared depict tender love and sex between black people, prickly white southerners viewed her suspiciously, perceiving her work as inflammatory and pornographic. In a letter to her mentor H.L. Mencken, Peterkin admitted the sting of her own family’s disdain. Her grown son, she relayed, urged her to write about ‘beautiful white men and women, not n-words.’  In a poignant confession of her alienation she tersely wrote, ‘No beautiful white people live in my head.'” (Life out of Darkness: The Recovery of Julia Peterkin, Forgotten Pulitzer Prize Winner by Elizabeth Robeson, M.Phil, Columbia University).
Offered for Sale by: The Accidental Bookseller