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The Accidental Bookseller
Specializing in Interesting and Uncommon Books in Unusually Nice Condition
Membership(s): IOBA, FABA
Second-Hand Time. The Last of the Soviets
$800.00
Alexievich, Svetlana
London:Â Fitzcarraldo Editions, 2016. Â First UK edition. Â A paperbound original.
Signed to the title page by the author, the winner of the 2015 Nobel Prize in Literature, and dated in the latinate style as is her wont.  Not to be confused with the 2024 Fitzcarraldo edition, limited to 1000 copies signed on a bookplate.
Few small finger smudges, else fine in wrappers.
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Scarce Publication in the Burroughs Canon, Signed
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Historian's First Book with Warm Inscription
The New England Mind in Transition
$400.00New Haven, CT: Yale University Press, 1973. First edition of author’s first book, warmly inscribed to Ellis’ close associates: “For Rik & Margot / Who have had / the dubious privilege to / watch young Ellis in / transition as he wrote / this book. Johnson was no / more indebted to that “School / of the Prophets” than I am / to you” Signed as “Joe Ellis” and dated in the year of publication. A fine copy in near fine dust wrapper with some slight fading to the spine, trifle rubbing to the spine tips, one tiny nick, and a little soiling. Ellis won the Pulitzer Prize in 2001 for his work Founding Brothers, exploring how the interactions between the leading figures of the US Constitutional era profoundly influenced the early development of the Republic. Ellis is also credited with leading a revival of interest in John Adams, a President he viewed as under-appreciated for both his character and achievements. The New England Mind grew out of Ellis’ PhD dissertation at Yale (The Puritan Mind in Transition: The American Samuel Johnson (1696-1772)). While at Yale, Ellis became close friends with Richard “Rik” Warch, a fellow graduate student and then member of the faculty, and his wife Margot. Warch was the author of a history of Yale in the early 18th century, attended by Johnson, and Ellis cites Warch’s doctoral dissertation as “the best secondary account of the intellectual and religious climate at early Yale” in the bibliographical essay of his work. The “School of Prophets” in the inscription refers to the title of Warch’s own book-length treatment of his dissertation (School of Prophets. Yale College, 1701 – 1740 also published by the Yale University Press).
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"My Herrick" Inscribed to Flint's Sister
One Hundred and Eleven Poems.
$500.00Selected, arranged & illustrated by Sir William Russell Flint London: The Golden Cockerel Press, 1955. One of the 445 copies bound in quarter cream parchment with blue cloth boards. Title and device in gold on the spine. Illustrated with two watercolour paintings and 40 crayon drawings. Though not called for, this copy has been signed by Flint on the colophon.  Additionally, Sir William has inscribed the copy for his sister Charlotte: “My dearest Lottie’s copy of my Herrick, from Willie, April 1955”. Flint’s reference to “my” Herrick indicates how personal a venture this book was for him.  As press proprietor Christopher Sanford explains in Cock-a-Hoop: “This was a book that I printed for the artist at his request and expense. Indeed the type was already set when he asked me to make it a Cockerel, and all the subsequent details of its production were exactly to his specifications. The illustrations were no commission for Sir William but as he maintained a long-sustained labour of love, a painter’s tribute to a great poet.” Spine a little discolored, boards lightly spotted, very slight bowing and some foxing to the page edges, still very good or better in a similar slip case, a couple of small snags, some rubbing and browning. A nice Association copy.
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One of 15 Copies Bound in Full Morocco
Innocence in Extremis
$500.00New York: The Grenfell Press, 1985.  From the colophon: “118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien.” Copy XIII of the Roman numeral edition. T. L. Solien’s work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world.  Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art;  Minneapolis Institute of Art; Tate Gallery, London;  National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher’s plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case’s integrity.
Offered for Sale by: The Accidental Bookseller