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The Redbridge Book Co.
A Fictitious Bookstore in Delaware County
Membership(s): ABA
Profile. An Anthology Collected in MCMXXXI
$750.00
Pound, Ezra (Editor)
Milan: John Scheiwiller, 1932. First Edition.Â
An enormously important poetry anthology, one of only 250 copies, this is #44.  Anthology features many of the key Modernist writers of the period, including James Joyce, William Carlos Williams, W.B. Yeats, Marianne Moore, T.S. Eliot, e.e. cummings, and many others, including Pound himself.  Pound has also contributed an introduction and occasional commentary. 142 pages, in original green wrappers folded over stiff white blanks. A very good copy; spine toned and a little chipped at the ends, light toning to edges, two corners a bit rubbed, clearly a read copy with some weakness.
OCLC lists only 6 copies, all in U.S. libraries. Gallup B28. A rare book that does not often come on the market.
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Signed by First Southern Pulitzer Winning Novelist
Black April
$800.00Bobbs Merrill: Indianapolis, 1927.  First edition, first issue with ‘ducks quacked’ on page 17 (Ahearn Collected Books).  “An extraordinary novel of Negro life on an isolated plantation” signed by the author on front free endpaper.  Black April was “accepted by the critics as being one of the best books ever written about the southern negro” (The Sunday Oregonian). A very good copy, gilt on spine and front cover dulled as usual in very good, first issue dust wrapper without Crawford blurb, price intact, extremities of spine a little chipped, one small edge tear to rear. Peterkin went on to win the Pulitzer Prize in 1929, the first southern novelist to receive that honor.  A household name for the better part of three decades, “Peterkin’s accomplishment lay in her upending the traditional plantation novel by replacing its gross stereotypes with rural black southerners of complexity, stamina, integrity, and courage, while valorizing the African spiritual inheritance as a transcendent force of cultural regeneration. Because no Uncle Toms, Aunt Jemimas or Colonels clad in white linen inhabited Peterkin’s fiction (indeed, white characters made rare appearances), and because she dared depict tender love and sex between black people, prickly white southerners viewed her suspiciously, perceiving her work as inflammatory and pornographic. In a letter to her mentor H.L. Mencken, Peterkin admitted the sting of her own family’s disdain. Her grown son, she relayed, urged her to write about ‘beautiful white men and women, not n-words.’  In a poignant confession of her alienation she tersely wrote, ‘No beautiful white people live in my head.'” (Life out of Darkness: The Recovery of Julia Peterkin, Forgotten Pulitzer Prize Winner by Elizabeth Robeson, M.Phil, Columbia University).
Offered for Sale by: The Accidental Bookseller -
One of 25 Copies, Red Ozier Press Highspot
Paul’s Blues
$1,200.00New York: Red Ozier Press, 1984.  Large 4to quarter cloth.  Limited to 115 copies (90 in wrappers) signed by composer and artist, this is one of 25 copies bound in Claire Maziarczyk’s wastepapers over boards.  Very slight indentation lower front board, still easily a fine, unread and bright copy. In an essay on Red Ozier, press bibliographer Michael Peich highlights this title: “Red Ozier published dozens of titles that are distinguished examples of the physical book. One book, Paul’s Blues, deserves mention for its combination of solid typography and interesting art. The text reproduces songs that the composer Ned Rorem wrote based on lyrics composed by Paul Goodman. In the introduction Rorem discusses his association with Goodman and how the songs were written in 1947. Following the introduction is a reproduction of Rorem’s fair-hand manuscripts for each of the three songs, the printed lyrics of the songs, the composer’s journal entries from around the date of Goodman’s death on 3 August 1972, and an afterword by Rorem. The manuscript is a complex mixture that is both solemn (Rorem’s tribute to his friend) and entertaining (the songs themselves). [Press founders] Ken and Steve solved the textual complexity by choosing a straightforward, elegant typographic presentation. The only adornment in the book is Rivers’ energetic title page which addresses the creative collaboration between poet and composer; in an almost excited way it prepares the reader for the text that follows. The finished product is a masterful job of keeping all the elements of the text in perfect balance and harmony. It is a high point of production from the press because it combines, with almost disarming ease, classical typography with a new technology (the title page was reproduced by color Xerox and transferred to the sheets).”
Offered for Sale by: The Redbridge Book Co. -
Limited Edition 75 Copies Signed by Artist
Prologue to Ask the Dust
$650.00Magnolia Editions, Okeanos Press: San Francisco, 1990.  John Fante’s gritty, tersely lyrical novel Ask the Dust has been praised by critics and writers for more than 60 years; Charles Bukowski once wrote that “Fante was my god.” This previously unpublished manuscript, found by Joyce Fante five decades after its composition, was written by Fante as a condensed preview of the novel for his publisher. Issued by the Black Sparrow Press a year later, this is the scarce limited edition, one of only 75 copies (110 total) accompanied by a series of etchings excised in hardground, aquatint, and drypoint by John Register and is signed by the artist. A fine copy, slipcase with small area of damp staining (book unaffected).  A lovely production.
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Scarce Hardbound Edition Signed by Poet
Living At The Movies
$650.00New York: Grossman Publishers, 1973. First edition of the poet’s third collection of poems and first to be issued by a commercial publisher.  Issued in both hardcover and wrappers simultaneously, this is the scarce hardbound edition. Estimates put the print run for the hardbound edition at a couple of hundred, with few likely distributed to the public. Signed by the poet on the title page and very uncommon thus. Darkening to board edges as is common for this title. Small spot to text block, last page has a small stain and some bleed through from the rust colored end paper. Overall, a better than very good copy. Pictorial dust wrapper, featuring wraparound cover artwork by Larry Rivers and Ted Berrigan blurb, presents very nicely indeed, overall very good, not clipped and without any tears, chips, fading or rubbing but a little tanned at the edges, slight staining to rear flap, front flap a little creased, and verso of dust wrapper is textured, cause indeterminable, with the result that the front and rear panels are not tactilely smooth.
Offered for Sale by: The Redbridge Book Co.