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The Redbridge Book Co.
A Fictitious Bookstore in Delaware County
Membership(s): ABA
Living At The Movies
$650.00
Carroll, Jim
New York: Grossman Publishers, 1973. First edition of the poet’s third collection of poems and first to be issued by a commercial publisher. Â
Issued in both hardcover and wrappers simultaneously, this is the scarce hardbound edition. Estimates put the print run for the hardbound edition at a couple of hundred, with few likely distributed to the public.
Signed by the poet on the title page and very uncommon thus.
Darkening to board edges as is common for this title. Small spot to text block, last page has a small stain and some bleed through from the rust colored end paper. Overall, a better than very good copy.
Pictorial dust wrapper, featuring wraparound cover artwork by Larry Rivers and Ted Berrigan blurb, presents very nicely indeed, overall very good, not clipped and without any tears, chips, fading or rubbing but a little tanned at the edges, slight staining to rear flap, front flap a little creased, and verso of dust wrapper is textured, cause indeterminable, with the result that the front and rear panels are not tactilely smooth.
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Printer’s Copy Signed by Baskin
A Checklist of the Publications of Thomas Bird Mosher of Portland Maine: MDCCCXCI-MDCCCCXXIII
$275.00Northampton, MA: The Gehenna Press, 1966. Limited edition, one of 500 Copies, printed on Fabriano Paper in Monotype Van Dijck. Illustrated with 19 Mounted Letter Press Facsimiles of Title pages in Red and Black on Paper closely Simulating those used by Mosher. This is the printer’s copy, inscribed by Baskin and presented to Stanley Clifford “with the affection of” Leonard Baskin, dated 1967.  Clifford started as a hand leather bookbinder at Bennett Book Studio in Manhattan. He came to be respected as one of the finest craftsmen practicing this trade, a reputation that allowed work to follow him to Deer Isle, ME where he and fellow islander Leonard Baskin became close friends, attracted by a mutual interest in the book arts. Ironically, an unbound copy in 20 signatures. Some staining to rear page and signature spines.
Offered for Sale by: The Accidental Bookseller -
Signed by Nobel Prize Winning Economist
Time on the Cross: The Economics of American Negro Slavery
$450.00Little, Brown and Company: Boston, 1974.  First edition. Signed and dated by Fogel with a warm inscription to Henry Rosovsky, economist and academic administrator who served as dean of the Faculty of Arts and Sciences of Harvard University.  Rosovsky is among a large group of scholars cited in the book’s Acknowledgments who contributed to the development of the book.  The date of the inscription precedes by several weeks the New York Times’ review of the book. Fogel went on to win the 1993 Nobel Prize for Economics for “having renewed research in economic history by applying economic theory and quantitative methods in order to explain economic and institutional change,” according to the Nobel citation.  In the biography Fogel wrote for the Nobel, he acknowledges Rosovsky for providing research assistants, a computer programmer, and the computer time needed to conduct his research while at Harvard in the late 1970s. This groundbreaking book reexamined the economic foundations of American slavery, marking “the start of a new period of slavery scholarship and some searching revisions of a national tradition” (C. Vann Woodward, New York Review of Books).  The book generated somewhat of a firestorm of media coverage when it was first published due to its controversial hypothesis: that slavery was a highly efficient, profitable enterprise, that the South was generally flourishing economically on the eve of the Civil War, that the slaves were treated reasonably well, and that they had a standard of living compared favorably with many northern white industrial workers. “It is a rare monograph in economic history that gets reviewed in magazines and newspapers such as Newsweek, Time, The Atlantic Monthly, The New York Times, The Wall Street Journal and The Washington Post among others; or whose authors appear on television talk shows. Robert Fogel and Stanley Engerman’s Time on the Cross was one such book — perhaps the only one.” A near fine copy in a very good dust wrapper owing to a tear on the rear panel.
Offered for Sale by: Founding Lines -
Signed by Winner of 2015 Nobel Prize
Second-Hand Time. The Last of the Soviets
$800.00London: Fitzcarraldo Editions, 2016.  First UK edition.  A paperbound original. Signed to the title page by the author, the winner of the 2015 Nobel Prize in Literature, and dated in the latinate style as is her wont.  Not to be confused with the 2024 Fitzcarraldo edition, limited to 1000 copies signed on a bookplate. Few small finger smudges, else fine in wrappers.
Offered for Sale by: The Accidental Bookseller -
One of 25 Copies, Red Ozier Press Highspot
Paul’s Blues
$1,200.00New York: Red Ozier Press, 1984.  Large 4to quarter cloth.  Limited to 115 copies (90 in wrappers) signed by composer and artist, this is one of 25 copies bound in Claire Maziarczyk’s wastepapers over boards.  Very slight indentation lower front board, still easily a fine, unread and bright copy. In an essay on Red Ozier, press bibliographer Michael Peich highlights this title: “Red Ozier published dozens of titles that are distinguished examples of the physical book. One book, Paul’s Blues, deserves mention for its combination of solid typography and interesting art. The text reproduces songs that the composer Ned Rorem wrote based on lyrics composed by Paul Goodman. In the introduction Rorem discusses his association with Goodman and how the songs were written in 1947. Following the introduction is a reproduction of Rorem’s fair-hand manuscripts for each of the three songs, the printed lyrics of the songs, the composer’s journal entries from around the date of Goodman’s death on 3 August 1972, and an afterword by Rorem. The manuscript is a complex mixture that is both solemn (Rorem’s tribute to his friend) and entertaining (the songs themselves). [Press founders] Ken and Steve solved the textual complexity by choosing a straightforward, elegant typographic presentation. The only adornment in the book is Rivers’ energetic title page which addresses the creative collaboration between poet and composer; in an almost excited way it prepares the reader for the text that follows. The finished product is a masterful job of keeping all the elements of the text in perfect balance and harmony. It is a high point of production from the press because it combines, with almost disarming ease, classical typography with a new technology (the title page was reproduced by color Xerox and transferred to the sheets).”
Offered for Sale by: The Redbridge Book Co.