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The Accidental Bookseller
Specializing in Uncommon Copies of Interesting Books
Membership(s): IOBA, FABA
Concepts of Mass
$225.00
Jammer, Max
Harvard University Press: Cambridge (MA), 1961. First edition.
Inscribed by Jammer: “To my friends and relatives /Â Mr. Moshe Torczyner and his son Evan, /Â in appreciation and in memory of /Â my visit to their home on (in Hebrew)Â 11 Iyar 5722” (May 15, 1962).
A nice, near fine copy in very good dust wrapper, spine toned and lightly chipped on extremities.
An uncommon signature; as of this writing, there are no other books signed by Jammer listed for sale.
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Signed by First Southern Pulitzer Winning Novelist
Black April
$800.00Bobbs Merrill: Indianapolis, 1927.  First edition, first issue with ‘ducks quacked’ on page 17 (Ahearn Collected Books).  “An extraordinary novel of Negro life on an isolated plantation” signed by the author on front free endpaper.  Black April was “accepted by the critics as being one of the best books ever written about the southern negro” (The Sunday Oregonian). A very good copy, gilt on spine and front cover dulled as usual in very good, first issue dust wrapper without Crawford blurb, price intact, extremities of spine a little chipped, one small edge tear to rear. Peterkin went on to win the Pulitzer Prize in 1929, the first southern novelist to receive that honor.  A household name for the better part of three decades, “Peterkin’s accomplishment lay in her upending the traditional plantation novel by replacing its gross stereotypes with rural black southerners of complexity, stamina, integrity, and courage, while valorizing the African spiritual inheritance as a transcendent force of cultural regeneration. Because no Uncle Toms, Aunt Jemimas or Colonels clad in white linen inhabited Peterkin’s fiction (indeed, white characters made rare appearances), and because she dared depict tender love and sex between black people, prickly white southerners viewed her suspiciously, perceiving her work as inflammatory and pornographic. In a letter to her mentor H.L. Mencken, Peterkin admitted the sting of her own family’s disdain. Her grown son, she relayed, urged her to write about ‘beautiful white men and women, not n-words.’  In a poignant confession of her alienation she tersely wrote, ‘No beautiful white people live in my head.'” (Life out of Darkness: The Recovery of Julia Peterkin, Forgotten Pulitzer Prize Winner by Elizabeth Robeson, M.Phil, Columbia University).
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An Important and Revealing Copy
The Nature and Destiny of Man
$600.00New York: Charles Scribner’s Sons, 1949.  First one volume edition. Signed and inscribed by Niebuhr, adding “I try in this volume to explain that the meaning of life for the individual and the whole of mankind is found in the love as it is revealed in Christ.” An important and revealing copy of this landmark of twentieth-century thought. Exploring the complexities of human nature and the philosophical and theological implications of humanity’s existence, the Nature and Destiny of Man was rated number 18 of the Modern Library’s Top 100 Nonfiction works in the 20th century.  “A collection of theological lectures delivered by Niebuhr in 1939, The Nature and Destiny of Man tackles the Christian concept of human nature, the powerlessness of man, and Christianity’s impact on human history. Delivered just before the outbreak of World War II, these lectures were so influential that Cold War containment policies and aspects of realpolitik can be traced back to them. Highly recommended for fans of ontology.”
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One of 15 Copies Bound in Full Morocco
Innocence in Extremis
$500.00New York: The Grenfell Press, 1985.  From the colophon: “118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien.” Copy XIII of the Roman numeral edition. T. L. Solien’s work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world.  Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art;  Minneapolis Institute of Art; Tate Gallery, London;  National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher’s plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case’s integrity.
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Scarce Beats Item, Inscribed to "Allen (Ginsberg?
Unto Caesar
$450.00(San Francisco): (Dave Haselwood), (1965).  A non-commercial publication, with most copies given away to friends of the author and printer. Hand-sewn in printed wrappers, 6.5″ x 4″,  24 pages, circa 60 copies. The first publication from Dave Haselwood after he left Auerhahn Press in the hands of his partner, Andrew Hoyem.  This copy inscribed “For Allen”, signed “Michael”, and dated Halloween, 1965.  Additionally, McClure has added a self-portrait drawing. Although not definitively established, it seems likely that the recipient is Allen Ginsberg.  Ginsberg and McClure both lived in San Francisco at the time, and the famous photograph of them with Bob Dylan and Robbie Robertson in the alley behind City Lights Books was taken shortly after the date of the inscription. A very good copy, front wrap unevenly and lightly tanned, rear wrap with one light crease, spine a little rubbed, some interior pages don’t quite align to wraps (potentially as issued).
Offered for Sale by: The Accidental Bookseller