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Founding Lines
A fictitious bookseller specializing in pre-Civil War U.S. history
Membership(s): VABA
The Southern Mystique
$425.00
Zinn, Howard
New York: Knopf, 1964. First edition.
Signed by the author to the title page. Nice copy, nearly fine, in very good dust wrapper, priced ($4.95) to front flap, spine tanned and slightly chipped at top, few small edge tears.
Signed copies of this title are uncommon.
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Scarce Publication in the Burroughs Canon, Signed
Port of Saints
$1,200.00Covent Garden Press/Am Here Books: London/Ollon (Switzerland). Dated 1973 though not issued until 1975 due to paper supply shortage. The true first and only edition with this text. A revised edition was issued by Blue Wind Press in 1980. Only 200 copies printed, 100 numbered and signed, the remainder unsigned. This is one of the 100 unsigned copies which has been subsequently signed by Burroughs on the title page. A not terribly well made book, this is a nice near fine copy, boards slightly dust soiled, in a near fine example of the fragile dust wrapper, a bit rubbed to the extremities. One of the scarcer publications in the Burroughs canon.
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1975 National Book Award in History Winner
The Ordeal of Thomas Hutchinson
$500.00Harvard University Press: Cambridge (MA), 1974. First Edition of this winner of the 1975 National Book Award in History. Inscribed “with best regards”, signed and dated by the author. The recipient, a student pursuing his MPA at Harvard where Bailyn was a professor at the time, had previously written in his name and date, hence a difference in hand-writing in the inscription. Spine a bit creased but book is tight and seemingly unread. Near fine in little rubbed, near fine dust wrapper. Books signed by Bailyn are scarce indeed. Few historians since World War II have left an imprint on that field of study that rivals Professor Bailyn’s. In his classic 1967 work, “The Ideological Origins of the American Revolution,” Bailyn reshaped the study of the origins of the American Revolution, maintaining that the ideology of liberty and freedom was ingrained in the colonists, displacing Charles A Beard’s then dominant theory that the American Revolution was primarily a matter of class warfare and that the rhetoric of freedom was meaningless. On topic after topic, in more than 20 books that he wrote or edited, Bailyn shifted the direction of scholarly inquiry, in the process winning two Pulitzer Prizes, a National Book Award, a Bancroft Prize (the most prestigious award given to scholars of American history) and, in 2011, the National Humanities Medal.
Offered for Sale by: Founding Lines -
One of 15 Copies Bound in Full Morocco
Innocence in Extremis
$500.00New York: The Grenfell Press, 1985. From the colophon: “118 copies have been printed & published at The Grenfell Press, New York City, in spring/summer 1985. Copies numbered 1-85 are printed on Saunders paper and bound in quarter morocco with the covers and frontispiece by T. L. Solien. Roman numeral copies I-XV are bound in full morocco hand-colored by the artist and contain a frontispiece. Lettered copies A-R are for the author and artist. Bindings are by Claudia Cohen; Michael Bixler has set the text in Dante. Each copy has been signed by John Hawkes and T. L. Solien.” Copy XIII of the Roman numeral edition. T. L. Solien’s work has been the subject of numerous exhibitions across the country and is included in public and private collections around the world. Selected collections include: Metropolitan Museum of Art, Whitney Museum of American Art; Smithsonian American Art Museum; Art Institute of Chicago; Milwaukee Art Museum; Madison Museum of Contemporary Art; Minneapolis Institute of Art; Tate Gallery, London; National Gallery of Australia; Singapore Art Museum, among others. (source: Tory Folliard Gallery). Near fine, slight uneven tanning to boards, small and shallow abrasion to rear cover. In publisher’s plexiglass slipcase, one seam split as appears to be common to be this title, small chip and a couple of cracks, neither affecting the case’s integrity.
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One of 25 Copies, Red Ozier Press Highspot
Paul’s Blues
$1,200.00New York: Red Ozier Press, 1984. Large 4to quarter cloth. Limited to 115 copies (90 in wrappers) signed by composer and artist, this is one of 25 copies bound in Claire Maziarczyk’s wastepapers over boards. Very slight indentation lower front board, still easily a fine, unread and bright copy. In an essay on Red Ozier, press bibliographer Michael Peich highlights this title: “Red Ozier published dozens of titles that are distinguished examples of the physical book. One book, Paul’s Blues, deserves mention for its combination of solid typography and interesting art. The text reproduces songs that the composer Ned Rorem wrote based on lyrics composed by Paul Goodman. In the introduction Rorem discusses his association with Goodman and how the songs were written in 1947. Following the introduction is a reproduction of Rorem’s fair-hand manuscripts for each of the three songs, the printed lyrics of the songs, the composer’s journal entries from around the date of Goodman’s death on 3 August 1972, and an afterword by Rorem. The manuscript is a complex mixture that is both solemn (Rorem’s tribute to his friend) and entertaining (the songs themselves). [Press founders] Ken and Steve solved the textual complexity by choosing a straightforward, elegant typographic presentation. The only adornment in the book is Rivers’ energetic title page which addresses the creative collaboration between poet and composer; in an almost excited way it prepares the reader for the text that follows. The finished product is a masterful job of keeping all the elements of the text in perfect balance and harmony. It is a high point of production from the press because it combines, with almost disarming ease, classical typography with a new technology (the title page was reproduced by color Xerox and transferred to the sheets).”
Offered for Sale by: The Redbridge Book Co.